Showing posts with label Aretha Franklin. Show all posts
Showing posts with label Aretha Franklin. Show all posts

Thursday, January 3, 2008

Bobby Darin is a Hit Parade Hall of Fame Inductee

The first inductees to the new Hit Parade Hall of Fame have been announced and, not surprisingly, Bobby Darin is among them. The list of 28 inductees also includes Darin's old flame, Connie Francis, as well as Darin's good friend Paul Anka. For the full list, see below, or visit www.hitparadehalloffame.org.

The Hit Parade Hall of Fame was conceived in 2006 by radio executives John Rook and Gil Bateman, to honor hitmaking recording artists from all venues and walks of life. Starting in 2007, they began to solicit votes through their website, www.hitparadehalloffame.org. Nominees were required to have at least two Top 10 hits, singles or albums of any genre. Over 63,ooo votes were cast in 2007 to arrive at the final stable of inductees. Fan clubs played a major role in the voting, according to Bateman and Rook.

Here is the full list of 2007 Hit Parade Hall of Fame winners, as chosen by fans worldwide: Paul Anka, The Beatles, Tony Bennett, Pat Boone, Beach Boys, Teresa Brewer, Johnny Cash, Ray Charles, Chubby Checker, Jimmy Clanton, Nat "King" Cole, Perry Como, Bing Crosby, Bobby Darin, Neil Diamond, Fats Domino, Four Seasons, Aretha Franklin, Connie Francis, Brenda Lee, Johnny Mathis, Ricky Nelson, Roy Orbison, Patti Page, Elvis Presley, Diana Ross & the Supremes, Neil Sedaka, and Frank Sinatra.

"We're thrilled with the response we've had from the public as we are still in our infancy and it appears that our voting numbers will grow as our young organization becomes more widely known," said founders Rook and Bateman.

The next step beyond the voting is to build a Hit Parade Hall of Fame bricks and mortar structure. Presently, the organization is speaking with two or three individuals and municipalities as to where to locate the Hit Parade Hall of Fame.

Meanwhile, voting has begun for the 2008 Hit Parade Hall of Fame inductees. This year, the Hall will be focusing on three decades, beginning in 1950. Besides voting for recording stars already nominated, visitors to the Hit Parade Hall of Fame website are also encouraged to suggest the names of future nominees. In 2007, fans gave the nominating committee more than five hundred names to consider.

Once nominated, a recording artist has three years to gain enough votes for induction into the Hit Parade Hall of Fame. A total of eighty-two 2007 nominees continue to vie for votes with sixty-two new nominees joining them in 2008. To cast your vote or suggest a nominee, please visit www.hitparadehalloffame.org.

Wednesday, November 7, 2007

Bobby Darin Engineers: Tom Dowd (Bobby Darin, That's All, Darin at the Copa)

Tom Dowd

To Bobby Darin fans, Tom Dowd will always be the man who put the bubbles at the beginning of Splish Splash. Dowd was a certified genius in the recording studio, an artist who's firm grasp of technique and technology made him a sought after talent in the music industry for over 50 years.

Born and raised in Manhattan, Dowd was the offspring of musical parents. His father was a concertmaster and his mother an opera singer. An exceptional student, Dowd excelled in math and science at Stuyevant High School, and graduated in June of 1942 at the tender age of 17. Too young for the draft, he went on to City College, studying during the day and playing in a band at Columbia University at night.

At Columbia he succeeded on two fronts, first by becoming a conductor, and second by being picked to do highly classified work in the university's physics laboratory. When he turned 18, he was immediately drafted and given the rank of sergeant, and was assigned to continue his secret work at Columbia—work that later would become known as part of The Manhattan Project.

Dowd's entrance into the music industry came as a result of being unable get college credit for his classified work at Columbia when he left military service in 1946. Desperate for work, he took a summer job at a classical music recording studio. And the rest, as they say, is history.

With his scientific background and sharp mind, Dowd showed himself to be a quick study in the studio, mastering the art and science of recording in no time at all. Before long, this young kid was the guy to get, if you wanted to make a great record.

His work at Atlantic included sessions with The Clovers, Ruth Brown, Big Joe Turner, Clyde McPhatter, LaVern Baker, The Drifters, Ray Charles, and of course, Bobby Darin.

He continued to work his magic in the studio right up until 2002, not just as an engineer, but also as an arranger and a producer, adding the Dowd touch to releases by artists such as Ornette Coleman, Dusty Springfield, Dr. John, Cream, Cher, Eric Clapton, and many others.

The 2003 documentary Tom Dowd and the Language of Music is a riveting portrait of the artist, his life, and career.

Tom Dowd (Selected Discography):

The Great Ray Charles (Atlantic 1259, 1957)

Bobby Darin (Atco 33-102, September 1958)

That's All (Atco 33-104, March 1959)

Darin at the Copa (Atco 33-122, August 1960)

Betty Carter: 'Round Midnight (Atco 33-152, 1963)

Nat Adderley: Sayin' Somethin' (Atlantic 1460, 1966)

Aretha Franklin: I Never Loved a Man the Way I Love You (Atlantic 8139, 1967)

Cher: 3614 Jackson Highway (Atco 33-298, 1969)

Eric Clapton: E.C. Was Here (RSO 4809, 1975)

Chicago: If You Leave Me Now (Columbia 25133, 1982)