New Bobby Darin Decca CD Reviewed

Check out a review of the new Bobby Darin CD from El Toro, "Early Bobby Darin," at this link:

http://darinland.com/Bobby-Darin-Early-Bobby-Darin-Review.html

Bobby Darin Atco Award goes up for auction on December 5th, 2007

An internal award presented to Bobby Darin by Atco Records, in honor of 5,000,000 records sold, will go up for auction on December 5th, 2007 at Bonhams Auctioneers, Montpelier Street, Knightsbridge, London. The item is part of The David Gest Collection of Entertainment Memorabilia, which includes the largest collection of Gold Presentation Discs ever to appear at auction, as well as an array of important items relating to Film, Television and Popular Music.

To view the item listing on the Bonhams site (or to place an online bid), use this link:

Lot No: 231 A 1958/9 'In-House' award presented to Bobby Darin, by Atco Records, in acknowledgement of 5,000,000 records sold

To browse the full collection, use this link:

The David Gest Collection of Entertainment Memorabilia

Bobby Darin Engineers: Tom Dowd (Bobby Darin, That's All, Darin at the Copa)

To Bobby Darin fans, Tom Dowd will always be the man who put the bubbles at the beginning of Splish Splash. Dowd was a certified genius in the recording studio, an artist who's firm grasp of technique and technology made him a sought after talent in the music industry for over 50 years.

Born and raised in Manhattan, Dowd was the offspring of musical parents. His father was a concertmaster and his mother an opera singer. An exceptional student, Dowd excelled in math and science at Stuyevant High School, and graduated in June of 1942 at the tender age of 17. Too young for the draft, he went on to City College, studying during the day and playing in a band at Columbia University at night.

At Columbia he succeeded on two fronts, first by becoming a conductor, and second by being picked to do highly classified work in the university's physics laboratory. When he turned 18, he was immediately drafted and given the rank of sergeant, and was assigned to continue his secret work at Columbia—work that later would become known as part of The Manhattan Project.

Dowd's entrance into the music industry came as a result of being unable get college credit for his classified work at Columbia when he left military service in 1946. Desperate for work, he took a summer job at a classical music recording studio. And the rest, as they say, is history.

With his scientific background and sharp mind, Dowd showed himself to be a quick study in the studio, mastering the art and science of recording in no time at all. Before long, this young kid was the guy to get, if you wanted to make a great record.

His work at Atlantic included sessions with The Clovers, Ruth Brown, Big Joe Turner, Clyde McPhatter, LaVern Baker, The Drifters, Ray Charles, and of course, Bobby Darin.

He continued to work his magic in the studio right up until 2002, not just as an engineer, but also as an arranger and a producer, adding the Dowd touch to releases by artists such as Ornette Coleman, Dusty Springfield, Dr. John, Cream, Cher, Eric Clapton, and many others.

The 2003 documentary Tom Dowd and the Language of Music is a riveting portrait of the artist, his life, and career.

Tom Dowd (Selected Discography):

The Great Ray Charles (Atlantic 1259, 1957)

Bobby Darin (Atco 33-102, September 1958)

That's All (Atco 33-104, March 1959)

Darin at the Copa (Atco 33-122, August 1960)

Betty Carter: 'Round Midnight (Atco 33-152, 1963)

Nat Adderley: Sayin' Somethin' (Atlantic 1460, 1966)

Aretha Franklin: I Never Loved a Man the Way I Love You (Atlantic 8139, 1967)

Cher: 3614 Jackson Highway (Atco 33-298, 1969)

Eric Clapton: E.C. Was Here (RSO 4809, 1975)

Chicago: If You Leave Me Now (Columbia 25133, 1982)

Bobby Darin, The Singles: We Didn't Ask to Be Brought Here/Funny What Love Can Do

BOBBY DARIN: WE DIDN'T ASK TO BE BROUGHT HERE/FUNNY WHAT LOVE CAN DO (Atlantic 2305; 1965)

In August of 1965, after making 7 albums on the Capitol label, Bobby Darin returned to the studios of Atlantic Records to record his very first self-penned protest song, "We Didn't Ask To Be Brought Here." The lyrical tone was anti-establishment, the arrangement was fully electric, and the result was one of his finest original recordings. Darin had left Atlantic in 1961 for many reasons, not the least of which was a lack of control over his own recordings. Clearly, he was now fully in charge.

The B-Side, "Funny What Love Can Do," is another excellent original, reflecting Darin's unparalleled command of almost every musical form. This wailin' blues number could easily stand right alongside the work of Howlin' Wolf or Willie Dixon. Darin executes an agile turn of phrase as he flips his "drinkin'/thinkin'" refrain upside down on the second pass. His blues harp playing is, as always, brilliant.

WHERE TO FIND THESE SONGS

“We Didn't Ask To Be Brought Here” and "Funny What Love Can Do" appear on the following CDs:

As Long As I’m Singing: The Bobby Darin Collection

Dream Lover: Bobby Darin Sings

Bobby Darin: Sings The Shadow Of Your Smile/In A Broadway Bag (Remastered)

Bobby Darin sings “Night Song” (mp3)

There's a new song up on the DarinLand page at MySpace:

Check out Bobby Darin's breathtaking rendition of "Night Song" from his 1966 LP "In A Broadway Bag."

Use this link...

http://myspace.com/darinland

Interview: Bobby Darin arranger Perry Botkin

When you hear Bobby Darin swinging Count Basie-style on the "In a Broadway Bag" LP, this is largely thanks to arranger/conductor Perry Botkin. Botkin came into the project in the spring of 1966, with an intense desire to emulate the great Basie recordings he admired so much. One listen to the first five tunes on "Broadway Bag," all Botkin charts, confirms he succeeded beautifully.

"The Basie band always made me smile and often shout out loud," says Botkin. "I think Bobby felt the same way."

Bobby's rousing rendition of the Jerry Herman tune "It's Today" (from the Broadway show "Mame") is a fine example of Botkin's Basie-influenced approach. It is also one of Botkin's personal favorites on the album.

"It was the first song we did on the session," he explains, "and Bobby told me in the recording booth, 'Go out there and get the band swingin'. When you're satisfied with it, I'll come out and fit in.' Fit in? No singer ever told me they'd come out and 'fit in!' I ran the chart down a couple of times while Bobby listened in the booth. When everything was together, out came Bobby. Dave Hassinger said 'take 1,' I counted 8 beats, and off we went. Holy sh--! Bobby sounded like he'd been performing the song in Vegas for two months. He even duplicated what I wrote for the brass on 'Throw confetti, yeah.' Without question this was the highlight of my arranging career."

READ THE FULL INTERVIEW at DarinLand.com

Bobby Darin, The Singles: You Must Have Been a Beautiful Baby/Sorrow Tomorrow

BOBBY DARIN: YOU MUST HAVE BEEN A BEAUTIFUL BABY (Charted at #5)/SORROW TOMORROW (ATCO 6206; 1961)

Considering the immense amount of talent behind Bobby Darin's recording of "You Must Have Been a Beautiful Baby", it was no doubt destined to be a top ten smash. Lyrics by the great Johnny Mercer, music by the incomparable Harry Warren, a typically ingenious arrangement by Jimmie Haskell, and a thrilling vocal from Darin all come together to knock your socks clear across the room. Bobby's "Whoa, you know, you know, you know you know!" intro sends shivers straight up the spine. He could do that better than any performer before and after, and he's still doing it.

"Sorrow Tomorrow", written by Brill Building legends Doc Pomus and Mort Shuman, is a rhythmic lost love ballad, also arranged by Mr. Haskell. Here both Darin and Haskell show a different side. Darin's lamenting vocal seems to come straight from the Country Music Hall of Fame, while Haskell's arrangement is a fun and fascinating hybrid of pop, rock and country -- not rockabilly necessarily, but something completely his own. Very cool.

WHERE TO FIND THESE SONGS

"You Must Have Been a Beautiful Baby" appears on the following CDs:

As Long As I'm Singing: The Bobby Darin Collection

Best of Bobby Darin, Vol. One: Splish Splash

Bobby Darin: Definitive Pop

Dream Lover: Bobby Darin Sings

Bobby Darin: Greatest Hits (Import)

Twist with Bobby Darin

Ultimate Bobby Darin

Very Best of Bobby Darin

"Sorrow Tomorrow" appears on the following CDs:

Bobby Darin: Things and Other Things

Bobby Darin CD Profile: Two of a Kind

Bobby Darin & Johnny Mercer: Two of a Kind (Atco 33-126, February 1961)
CD Release: Atlantic 90484, 9/21/1990
Recording Dates: August 13, 14, 17, 1960, Los Angeles, CA
Producer: Ahmet Ertegun
Engineer: Bill Putnam
Arrangements: Billy May
Musicians: Billy May (cond)
AUG 13, 14-John Best, Dick Cathcart, Manny Klein (tp); Ed Kusby, Bill Schaefer, Elmer Schneider (tb); Chuck Gentry, Skeets Herfurt, Eddie Miller, Wilbur Schwartz (sax); Milton Raskin (p); George Van Eps (g); Morty Corb (b); Ronnie Zito (d).

AUG 17-Same personnel except: Conrad Gozzo replaces Manny Klein on trumpet.

Original LP Sequence:

Side 1:
Two of a Kind (Bobby Darin/Johnny Mercer) (August 17)
Indiana (Ballard MacDonald/James F. Hanley) (August 17)
Bob White (Johnny Mercer/Bernie Hanighen) (August 13)
Ace in the Hole (James Dempsey/George Mitchell) (August 17)
East of the Rockies (Sid Robin/Lou Singer) (August 13)
If I Had a Druthers (Johnny Mercer/Gene DePaul) (August 14)

Side 2:
I Ain't Gonna Give Nobody None of My Jellyroll (Spencer Williams/Clarence Williams) (August 14)
Lonesome Polecat (Johnny Mercer/Gene DePaul) (August 14)
My Cutey's Due at Two-to-Two Today (Al Von Tilzer/Irving Bibo/Leo Robin) (August 13)
Medley: Paddlin' Madelin' Home (Harry Woods), Row Row Row (Jimmy Monaco/William Jerome) (August 17)
Who Takes Care of the Caretaker's Daughter (Chick Endor/Paul Specht) (August 14)
Mississippi Mud (James Cavanaugh/Harry Barris) (August 13)
Two of a Kind (Bobby Darin/Johnny Mercer) (August 17)

FROM THE LINER NOTES: "This album is based on an idea by J. Steve Blauner & Marshall Robbins."

Comments: Rarely has a record been more perfectly titled. Bobby Darin and Johnny Mercer are indeed "Two of a Kind", a fact made delightfully evident by their incredible chemistry on every one of these tracks. Trading quips, ad-libbing and generally cracking each other up, they sound like a couple of old friends kicking back on a sunny afternoon. The pairing of Bobby and Johnny was the brainchild of Darin's manager Steve Blauner, and the world owes Mr. Blauner a great debt, for bringing these kindred spirits together.

Bobby Darin CD Profile: Winners

Bobby Darin: Winners (Atco 33-167, June 1964)
CD Release: Collectors' Choice CCM-403, 4/6/2004
Recording Dates: Feb. 1-2, 1960, Los Angeles, CA
Producers: Ahmet Ertegun, Nesuhi Ertegun
Arrangements: Bobby Scott
Musicians: Bobby Scott (cond, p)
FEB 1-Larry Bunker (vib); Howard Roberts (g); Joe Mondragon (b); Ronnie Zito (d); Jack Costanzo (cga).

FEB 2-Larry Bunker (vib); Howard Roberts (g); Joe Mondragon (b); Ronnie Zito (d); Carlos Vidal (cga).

SPECIAL NOTE: Above credits do not apply to "Milord" or "Golden Earrings," which were recorded at different sessions, as detailed below.

MILORD-June 20, 1960, NYC. Other info unknown.

GOLDEN EARRINGS-March 25, 1961, Los Angeles, CA. Fred Norman (arr, cond); Manny Klein, Clarence "Shorty" Sherock (tp); Marshall Cram (tb); Plas Johnson (sax); Israel Baker, Al Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Lou Raderman, Misha Russell, Marshall Sosson (vln); Armand Kaproff, Edgar Lustgarten (cello); Richard Behrke (p); Irving Ashby, Barney Kessel (g); Keith Mitchell (aka Red Mitchell) (b); Larry Bunker, Ronnie Zito (d).

Original LP Sequence:

Side 1:
Milord (Marguerite Monnot/Georges Moustaki) (June 20, 1960)
Between The Devil And The Deep Blue Sea (Harold Arlen/Ted Koehler) (February 2)
Anything Goes (Cole Porter) (February 1)
Do Nothin' Til You Hear From Me (Duke Ellington/Bob Russell) (February 2)
Golden Earrings (Ray Evans/Jay Livingston/Victor Young) (March 25, 1961)
When Day Is Done (Buddy DeSylva/Robert Katscher) (February 2)

Side 2:
I've Found A New Baby (Jack Palmer/Spencer Williams) (February 2)
What A Difference A Day Made (Stanley Adams/María Mendez Grever) (February 2)
What Can I Say After I Say I'm Sorry (Walter Donaldson/Abe Lyman) (February 2)
Hard Hearted Hannah (Milton Ager/Charles Bates/Bob Bigelow/Jack Yellen) (February 1)
Easy Living (Ralph Rainger/Leo Robin) (February 2)
They All Laughed (George Gershwin/Ira Gershwin) (February 1)

NOTE: Bobby's friend and mentor, comedian George Burns, provides the laughter for the track, "They All Laughed."

Comments: With smoky, intimate arrangements by Bobby Scott and backed by Scott's 6-piece combo, Darin turns out the jazziest album of his career. This record is truly a milestone, not to mention a wonderful listen. Bobby is so cool, so smooth, so laid back, and yet so ultimately thrilling with his delivery. One of his best.

Bobby Darin CD Profile: That’s All

Bobby Darin: That's All (Atco 33-104, March 1959)
CD Release: Atlantic 82627, 6/24/1994
Recording Dates: December 19, 22, 24, 1958, NYC
Producers: Ahmet Ertegun, Nesuhi Ertegun, Jerry Wexler
Engineers: Tom Dowd, Carl Lustig, Herb Kaplan, Heinz Kubicka
Arrangements: Richard Wess
Musicians: Richard Wess (cond)
DEC 19-Joe Cabot, Jimmy Nottingham, Bernie Privin, Doc Severinsen (tp); Morton Bullman, Harry DiVito, Bob McGarity, Frank Rehak (tb); George Berg, Romeo Penque, Jerome Richardson, Jerry Sanfino, Joe Soldo (reeds); Hank Jones (p); Al Caiola (g); Eddie Safranski (b); Don Lamond (d); Phil Kraus, Terry Snyder (per).

DEC 22-George Berg, Romeo Penque (reeds); Isadore Zir (vla); Maurice Brown, Henry Pakaln (cello); Morris Stonzek (cello?); Moe Wechsler (p, cello); Mundell Lowe (g); Eddie Safranski (b); Bobby Rosengarden (d); unidentified 12 violins.

DEC 24-Joe Cabot, Mel Davis, Al DeRisi, Doc Severinsen (tp); Billy Byers, Cutty Cutshall, Frank Rehak, Chauncey Welsch (tb); Leon Cohen, Walt Levinsky, Seldon Powell, Jerry Sanfino (reeds); Moe Wechsler (p); Mundell Lowe (g); Eddie Safranski (b); Don Lamond (d); unidentified 8 strings.

Original LP Sequence:

Side 1:
Mack the Knife (Kurt Weill/Bertolt Brecht/Marc Blitzstein) (December 19)
Beyond the Sea (Charles Trenet/Jack Lawrence) (December 24)
Through a Long and Sleepless Night (Alfred Newman/Mack Gordon) (December 22)
Softly As in a Morning Sunrise (Oscar Hammerstein/Sigmund Romberg) (December 19)
She Needs Me (Arthur Hamilton) (December 22)
It Ain't Necessarily So (George Gershwin/Ira Gershwin) (December 24)

Side 2:
I'll Remember April (Gene DePaul/Don Raye/Pat Johnson) (December 24)
That's the Way Love Is (Bobby Darin) (December 19)
Was There a Call For Me (Woody Harris/Marty Holmes) (December 22)
Some of These Days (Shelton Brooks) (December 24)
Where Is the One (Edwin Finckel/Alec Wilder) (December 22)
That's All (Bob Haymes/Alan Brandt) (December 19)

Comments: Bobby Darin was a visionary. After the chart-topping success of "Splish Splash", he longed to make a record of standards. His label refused to finance it, so in 1959 he took his own profits from "Splash" and paid for the recording session himself. The result? He became the first artist in history to make a successful transition from rock n' roll to standards. "That's All" is a testament to the dynamic duo of Darin and arranger/conductor Richard Wess. Together they produced a record that generated two hit singles ("Mack the Knife" and "Beyond the Sea") and proved that Darin had the pipes and the sensiblities to be a legendary crooner.

Bobby Darin CD Profile: Darin at the Copa

Bobby Darin: Darin at the Copa (Atco 33-122, August 1960)
CD Release: Atlantic 82629, 6/24/1994
Recording Dates: June 15-16, 1960, Live at the Copacabana in NYC
Producers: Ahmet Ertegun, Nesuhi Ertegun
Engineers: Tom Dowd, Phil Iehle
Arrangements: Richard Berke*, Buddy Bregman**, Bobby Scott***, Richard Wess****
Musicians: Paul Shelley's Copacabana Orchestra conducted by Richard Behrke; Richard Behrke (p); Ronnie Zito (d); other details unknown.

Original LP Sequence:

Side 1:
****Medley: Swing Low Sweet Chariot (Traditional), Lonesome Road (Gene Austin/Nathaniel Shilkret)
****Some of These Days (Shelton Brooks)
****Mack the Knife (Kurt Weill/Bertolt Brecht/Marc Blitzstein)
***Love for Sale (Cole Porter)
**Clementine (Woody Harris)
*You'd Be So Nice to Come Home To (Cole Porter)
****Dream Lover (Bobby Darin)

Side 2:
***Bill Bailey (Traditional)
**I Have Dreamed (Richard Rodgers/Oscar Hammerstein)
**I Can't Give You Anything But Love (Dorothy Fields/Jimmy McHugh)
Alright, O.K., You Win (Sid Wyche/Mamie Watts)
*Medley: By Myself (Howard Dietz/Arthur Schwartz)/When Your Lover Has Gone (E.A. Swan)
I Got a Woman (Ray Charles/Renald Richard)
****That's All (Bob Haymes/Alan Brandt)

Comments: Following on the heels of his breakthrough 1959 standards record "That's All", 22-year-old Bobby Darin realized yet another one of his career goals when he played the stage of the legendary Copacabana in New York City to standing-room-only crowds. The kid who had achieved a hit with the rock novelty tune "Splish Splash" suddenly became "Mr Showman of 1960" (Gene Knight, New York Journal-American). "Darin is no freak of the rock n' roll variety and no callow crooner with contempt for his audience, but a genuine star, showman and entertainer," declared Lee Mortimer of the New York Mirror. In fact, the accolades for Darin's Copa debut flowed more freely than champagne at a Broadway opening night. One of Darin's biggest admirers, Walter Winchell, summed it up nicely: "Darin received so many wires of congrats that Western Union told him 'you hold the record for telegrams in one night'." Critics and stars were falling over themselves to compliment Bobby's talent--and listening to this record, it's easy to understand why. Darin knocks the Copa audience for a loop, gaining their respect in the process. Along with the aforementioned "That's All", this album is a must have for any Darin fan.