Bobby Darin Engineers: Tom Dowd (Bobby Darin, That's All, Darin at the Copa)

To Bobby Darin fans, Tom Dowd will always be the man who put the bubbles at the beginning of Splish Splash. Dowd was a certified genius in the recording studio, an artist who's firm grasp of technique and technology made him a sought after talent in the music industry for over 50 years.

Born and raised in Manhattan, Dowd was the offspring of musical parents. His father was a concertmaster and his mother an opera singer. An exceptional student, Dowd excelled in math and science at Stuyevant High School, and graduated in June of 1942 at the tender age of 17. Too young for the draft, he went on to City College, studying during the day and playing in a band at Columbia University at night.

At Columbia he succeeded on two fronts, first by becoming a conductor, and second by being picked to do highly classified work in the university's physics laboratory. When he turned 18, he was immediately drafted and given the rank of sergeant, and was assigned to continue his secret work at Columbia—work that later would become known as part of The Manhattan Project.

Dowd's entrance into the music industry came as a result of being unable get college credit for his classified work at Columbia when he left military service in 1946. Desperate for work, he took a summer job at a classical music recording studio. And the rest, as they say, is history.

With his scientific background and sharp mind, Dowd showed himself to be a quick study in the studio, mastering the art and science of recording in no time at all. Before long, this young kid was the guy to get, if you wanted to make a great record.

His work at Atlantic included sessions with The Clovers, Ruth Brown, Big Joe Turner, Clyde McPhatter, LaVern Baker, The Drifters, Ray Charles, and of course, Bobby Darin.

He continued to work his magic in the studio right up until 2002, not just as an engineer, but also as an arranger and a producer, adding the Dowd touch to releases by artists such as Ornette Coleman, Dusty Springfield, Dr. John, Cream, Cher, Eric Clapton, and many others.

The 2003 documentary Tom Dowd and the Language of Music is a riveting portrait of the artist, his life, and career.

Tom Dowd (Selected Discography):

The Great Ray Charles (Atlantic 1259, 1957)

Bobby Darin (Atco 33-102, September 1958)

That's All (Atco 33-104, March 1959)

Darin at the Copa (Atco 33-122, August 1960)

Betty Carter: 'Round Midnight (Atco 33-152, 1963)

Nat Adderley: Sayin' Somethin' (Atlantic 1460, 1966)

Aretha Franklin: I Never Loved a Man the Way I Love You (Atlantic 8139, 1967)

Cher: 3614 Jackson Highway (Atco 33-298, 1969)

Eric Clapton: E.C. Was Here (RSO 4809, 1975)

Chicago: If You Leave Me Now (Columbia 25133, 1982)

Bobby Darin CD Profile: That’s All

Bobby Darin: That's All (Atco 33-104, March 1959)
CD Release: Atlantic 82627, 6/24/1994
Recording Dates: December 19, 22, 24, 1958, NYC
Producers: Ahmet Ertegun, Nesuhi Ertegun, Jerry Wexler
Engineers: Tom Dowd, Carl Lustig, Herb Kaplan, Heinz Kubicka
Arrangements: Richard Wess
Musicians: Richard Wess (cond)
DEC 19-Joe Cabot, Jimmy Nottingham, Bernie Privin, Doc Severinsen (tp); Morton Bullman, Harry DiVito, Bob McGarity, Frank Rehak (tb); George Berg, Romeo Penque, Jerome Richardson, Jerry Sanfino, Joe Soldo (reeds); Hank Jones (p); Al Caiola (g); Eddie Safranski (b); Don Lamond (d); Phil Kraus, Terry Snyder (per).

DEC 22-George Berg, Romeo Penque (reeds); Isadore Zir (vla); Maurice Brown, Henry Pakaln (cello); Morris Stonzek (cello?); Moe Wechsler (p, cello); Mundell Lowe (g); Eddie Safranski (b); Bobby Rosengarden (d); unidentified 12 violins.

DEC 24-Joe Cabot, Mel Davis, Al DeRisi, Doc Severinsen (tp); Billy Byers, Cutty Cutshall, Frank Rehak, Chauncey Welsch (tb); Leon Cohen, Walt Levinsky, Seldon Powell, Jerry Sanfino (reeds); Moe Wechsler (p); Mundell Lowe (g); Eddie Safranski (b); Don Lamond (d); unidentified 8 strings.

Original LP Sequence:

Side 1:
Mack the Knife (Kurt Weill/Bertolt Brecht/Marc Blitzstein) (December 19)
Beyond the Sea (Charles Trenet/Jack Lawrence) (December 24)
Through a Long and Sleepless Night (Alfred Newman/Mack Gordon) (December 22)
Softly As in a Morning Sunrise (Oscar Hammerstein/Sigmund Romberg) (December 19)
She Needs Me (Arthur Hamilton) (December 22)
It Ain't Necessarily So (George Gershwin/Ira Gershwin) (December 24)

Side 2:
I'll Remember April (Gene DePaul/Don Raye/Pat Johnson) (December 24)
That's the Way Love Is (Bobby Darin) (December 19)
Was There a Call For Me (Woody Harris/Marty Holmes) (December 22)
Some of These Days (Shelton Brooks) (December 24)
Where Is the One (Edwin Finckel/Alec Wilder) (December 22)
That's All (Bob Haymes/Alan Brandt) (December 19)

Comments: Bobby Darin was a visionary. After the chart-topping success of "Splish Splash", he longed to make a record of standards. His label refused to finance it, so in 1959 he took his own profits from "Splash" and paid for the recording session himself. The result? He became the first artist in history to make a successful transition from rock n' roll to standards. "That's All" is a testament to the dynamic duo of Darin and arranger/conductor Richard Wess. Together they produced a record that generated two hit singles ("Mack the Knife" and "Beyond the Sea") and proved that Darin had the pipes and the sensiblities to be a legendary crooner.

Bobby Darin CD Profile: Darin at the Copa

Bobby Darin: Darin at the Copa (Atco 33-122, August 1960)
CD Release: Atlantic 82629, 6/24/1994
Recording Dates: June 15-16, 1960, Live at the Copacabana in NYC
Producers: Ahmet Ertegun, Nesuhi Ertegun
Engineers: Tom Dowd, Phil Iehle
Arrangements: Richard Berke*, Buddy Bregman**, Bobby Scott***, Richard Wess****
Musicians: Paul Shelley's Copacabana Orchestra conducted by Richard Behrke; Richard Behrke (p); Ronnie Zito (d); other details unknown.

Original LP Sequence:

Side 1:
****Medley: Swing Low Sweet Chariot (Traditional), Lonesome Road (Gene Austin/Nathaniel Shilkret)
****Some of These Days (Shelton Brooks)
****Mack the Knife (Kurt Weill/Bertolt Brecht/Marc Blitzstein)
***Love for Sale (Cole Porter)
**Clementine (Woody Harris)
*You'd Be So Nice to Come Home To (Cole Porter)
****Dream Lover (Bobby Darin)

Side 2:
***Bill Bailey (Traditional)
**I Have Dreamed (Richard Rodgers/Oscar Hammerstein)
**I Can't Give You Anything But Love (Dorothy Fields/Jimmy McHugh)
Alright, O.K., You Win (Sid Wyche/Mamie Watts)
*Medley: By Myself (Howard Dietz/Arthur Schwartz)/When Your Lover Has Gone (E.A. Swan)
I Got a Woman (Ray Charles/Renald Richard)
****That's All (Bob Haymes/Alan Brandt)

Comments: Following on the heels of his breakthrough 1959 standards record "That's All", 22-year-old Bobby Darin realized yet another one of his career goals when he played the stage of the legendary Copacabana in New York City to standing-room-only crowds. The kid who had achieved a hit with the rock novelty tune "Splish Splash" suddenly became "Mr Showman of 1960" (Gene Knight, New York Journal-American). "Darin is no freak of the rock n' roll variety and no callow crooner with contempt for his audience, but a genuine star, showman and entertainer," declared Lee Mortimer of the New York Mirror. In fact, the accolades for Darin's Copa debut flowed more freely than champagne at a Broadway opening night. One of Darin's biggest admirers, Walter Winchell, summed it up nicely: "Darin received so many wires of congrats that Western Union told him 'you hold the record for telegrams in one night'." Critics and stars were falling over themselves to compliment Bobby's talent--and listening to this record, it's easy to understand why. Darin knocks the Copa audience for a loop, gaining their respect in the process. Along with the aforementioned "That's All", this album is a must have for any Darin fan.