Bobby Darin lost albums: "It's You or No One"

When talking about the great Bobby Darin LPs, critics tend to cite titles such as "That's All" and "Love Swings." But there are so many Darin records that were somehow lost in the shuffle, records like his 1963 Atco release "It's You Or No One." It's not just a shame, but a downright tragedy that more fans don't know how amazing an album this is.

Like "Love Swings," "It's You or No One" is a concept piece, with bright, warm arrangements by Torrie Zito on Side One, exploring the "It's You" part of the title, and darker, melancholy arrangements by Bobby Scott on Side Two, falling gently into the "No One" part of the title.

The last song on Side One, "All or Nothing at All" (Johnny Mercer/Victor Schertzinger), does a magnificent job of setting up the lost love theme of Side Two. Darin's vocal sizzles with passion as he declares "Half a love just never appealed to me. If your heart never could yield to me, then I'd rather have nothin' at all." Coming on the heels of the joyous "I've Never Been in Love Before" (Frank Loesser), "All or Nothing At All" reveals what could be a hint of desperation, as Darin reaches out for the love he thought was there, and finds the commitment is only half-hearted.

When Side Two commences with "One Little Item" (Libby Holden), we find Darin "in a crowd, so noisy and loud" when his former love walks in. The strings here are astounding, trembling with the flutter in Darin's chest as he describes his reaction: "When she nears me, how she cheers me, her eyes so warm, so gay. But what can all this matter to me? Those eyes aren't looking my way." As the tune comes to a close, Darin lays his pain out for all to see: "She's everything I told you. I swear by stars above. There's only one little item... I'm not the guy she loves." Again, the use of strings is dramatic, magnificent and perfect. The woodwinds are also used to powerful effect.

Recorded in January of 1960, less than a week before Darin would work with Bobby Scott on the "Winners" LP, and a little over a year before he would work with Torrie Zito on "Love Swings," "It's You Or No One" was, in some ways, a warm-up for both of those collaborations. Both arrangers had the opportunity to take a set of songs, match them to a mood, and get a feel for the deeply personal way Darin approached a ballad.

Of course, to call this album simply a "warm-up" would be to deny the fact that it stands on its own, as one of the most evocative, emotionally honest, and utterly effective artistic statements on love and loss ever recorded. Darin's vocal is powerful beyond words, and his ability to draw the listener into the very heart of his story is brilliantly represented.

So, why was such a fantastic piece overlooked? Possibly it was because of Atlantic's odd releasing strategy. Like several other Darin records, this album was recorded and then left on the shelf until years later. As stated above, it came out in 1963, after "Love Swings," and after Darin had left Atlantic for Capitol. It seemed at the time that Atlantic was just clearing out the vaults and releasing whatever Darin material they still had lying around. This perception by the public and the press could have stamped "It's You" as a leftover, not worth checking out.

Again, this is a true tragedy, because "It's You or No One" is one of Bobby Darin's finest and most honest artistic and personal expressions. Any Bobby Darin fan that does not have this record is missing out on something astounding.

--Michael M